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Interview with Alex Adams Alex Adams is currently Tattooing at Tattoos for the Individual, a studio she established with her husband Kurt Wiscombe in the early nineties. She is a tattooer, a painter, and now co-owner of the Skull and Bones Gallery, which opened in the summer of 2009. Her tireless dedication to tattooing and art is seen through her travel to conventions around the world and her non stop production both in and out of the studio and gallery. |
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Sarah: So you've been tattooing since the early 90's, but judging by your work, it seems you've been an artist a lot longer. How long have you been drawing or painting?
Sarah: Are there any famous artists, tattooists or not, that have influenced you down the path of your career? Alex: Well, I think the artists that inspire me the most are the great artists of the Renaissance period which would include Raphael and Leonardo DA Vinci, i'm also really into the works of Albrecht Dürur. The ones who inspire me the most in tattooing are Filip Leu, and the Leu family, Paul Booth and of course Kurt, and that's just to name a few but basically these three people have something in common, that is they are all prolific tattooers and painters as well. Sarah: Looking at your artwork, I can see you have a very unique approach to your work. What inspires you to create such a style?
Sarah: Lately you've been working in a style of pointillism tattooing can you tell us about how that came about? Alex: I actually was working in pointillism years ago using ink on paper and I established a body of work just to show tattooers when I was trying to get into tattooing.
Alex: They were very supportive, friends and family were supportive. When we first opened the shop my sister Ava, actually worked as our assistant, she was in school herself and she worked with us for two years. Sarah: What would you say is your favorite part of your job? Alex: I like the creative process, in fact I like the whole thing, meeting with the client and establishing what it is they would like to get and working on the design aspect, its a unique experience each and every time. Sarah: You and Kurt have your own unique style, yet your work co-exists beautifully. Do you find that you feed off each others creativity?
Sarah: When you're not tattooing or painting, what do you spend your free time doing? I hear you've always thought you'd make a great dressmaker, is that something you do on the side? Alex: Well it seems like alot of my free time is spent doing art in fact I do alot of painting when i'm not tattooing. The costumes in my paintings are my designs inspired by art of the Renaissance, as far as making the dresses and costumes I am not a dressmaker however I will often design them on paper and sometimes I will actually piece costumes together using fabric, jewelry and lace to use as visual reference. I love creating the clothing and the jewelry for the people in my paintings. Sarah: It's the 21st century and equality between men and women has gone a long way. However, what can you tell us about being such a successful female artist? Do you feel woman artists have it different than men in the tattoo industry?
Sarah: The first time I saw you, you were the only female participating in the Art Fusion Experiment, how did you like collaborating with different artists? Was that your first time participating in Art Fusion? Alex: You know it's interesting, I didn't even realize that I was the only female there until youmentioned it, which kind of touches on the previous question. I was just so blown away to be standing there painting with some great artists, I felt like a spongetaking taking in the whole experience, to see other artists at work, concentrating and letting the energy flow out of them as they paint is a mind boggling event to even see and to be a part of that is pretty amazing! That wasn't my first time doing art fusion, I have done it several times before, in fact I was one of many artists who participated in one of the biggest art fusion events, it was in San Francisco as part of the Tattoo the Earth tour. Sarah: So you are currently in Winnipeg, living in an old Victorian, gothic style house. Do you find living in a house with such character and I'm sure history, inspires you as an artist?
Sarah: What advice would you give to new artists, female or male, who are trying to make a name for themselves? Alex: I think what I would say to anybody is just pursue it, pursue it sincerely with your passion and your drive. Find people that you admire and watch what they're doing. Hang on to your own ideas and try to create your own style always being open minded to new ideas. Sarah: How has tattooing changed over the years since you've been tattooing? Alex: When I first became interested in tattooing there was one tattoo magazine that came out twice a year and I took that magazine with me virtually everywhere, I did a few very small art exhibitions of my own artwork and somehow that tattoo magazine ended up in my portfolio and whenever I met somebody that I felt I could tell that I was interested in tattooing, I would pull this thing out and say "look at this", and we would kind of hide in a corner and check it out, that was then. So it's changed alot in terms of the popularity and accessibility. I came into tattooing when it was still this curious art form that very few people knew anything about and people didn't talk about it very much, if you wanted to get a tattoo it was probably something you didn't say too much about to too many people. Sarah: You've been tattooing for quite a while, what is your your most memorable tattoo story?
Sarah: Just basing this on a few photos that I've seen of you, you're not the typical, heavily tattooed artist you see out there these days. What's stopping you from full sleeve tattoos? How many tattoos do you have? Alex: I have tattoos, I have been tattooed by Filip Leu and Paul Booth, one of my first tattoos was done by Harley Charlie who I believe is in Medicine Hat now, and Kurt's done one on me. I don't know that the amount of tattoos I have is what is important to me. My tattoos are very special and personal to me and they happened incidentally, a case of being at the right place at the right time. I don't feel compelled to be heavily tattooed, what I have right now is what i'm really happy with. Sarah: I know that you and Kurt opened the Skull and Bones Gallery this past July in Winnipeg. What an undertaking it must be to not only have your careers in tattooing and painting, but now to step to the other side of the industry and operate a gallery, wearing the hats of directors, curators and artists. Do you find it was a natural evolution for you as part of the creative process, or do you want to branch off to dealing with other artists, and art to bring more culture to your own local art scene?
Editor's note: If you want to get hold of Alex for a Tattoo or to view some of her paintings you can contact Tattoos for the Individual at 204-889-3943 For instant updates of new tattoos.com content follow us on: twitter, facebook, myspace or our RSS feeds.
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